Movies and TV shows in HD, straight to the point

The number, and the film behind it

Most people who type "578 movie" into a search engine mean one film: 578: Magnum, a 2022 Vietnamese action film in which a truck driver hunts the people who harmed his daughter across a road movie's worth of fights, chases and a boxing ring. Vietnam released it as 578: Phát Đạn Của Kẻ Điên; abroad it carries the Magnum title. It is on this site under its own page, with the cast, the runtime and a Watch now button that lists the services carrying it in your country, and it is the first title on the Vietnamese shelf.

578Movie shares the number and lists the film; it has no connection to the film's producers and makes no claim on the earlier sites that carried the name. The number is a name, the way a street number is, and the site is what is behind the door: a Hollywood-first catalogue with the long series, the franchises, the classics and this year's releases, a Vietnamese selection beside them, and the search, the seasons, My List and Watch now that make it usable. The 578 name page says the same in more detail, for anyone who arrived here looking for the film and stayed.

Start with a search

The search box says "Search movies, TV shows..." and it is built for the way people type. A full title works. Half of one works. The original-language name works, and so do the other names a title goes by, so "578", "Magnum" and the Vietnamese title all open the same page, and "Philosopher's Stone" and "Sorcerer's Stone" both open the first Harry Potter. The shorthand people use works: GOT, TLOU, HOTD. Words like "watch", "online", "free", "hd" and "578movie" are stripped before the search runs, so a phrase pasted from a search engine finds the film rather than nothing.

Names are the other way in. Type an actor and every title of theirs in the catalogue lines up, newest first or best rated first as you prefer: Alan Ritchson, Zoe Saldaña, Matt Damon. Type a studio and the same happens. Type a genre word, "horror", "comedy", and the search treats it as a genre; type a language, "vietnamese", and it narrows to that language. The quick search in the header is on every page, and on a phone it sits at the top of the menu drawer.

When you are halfway through a series, add the season and episode to the name. "reacher s3e4", "silo season 2 episode 3", "ncis s20e5": the results narrow to the series that has that episode with a recorded air date, so one tap opens the show and the season page is a tap further, with the row you wanted in the table. From there, Reached this episode marks your place and Watch now opens the show where it plays.

The search page adds the filters: type, genre, year, status, country, original language and minimum rating, with a sort by popularity, newest, rating, recent update or name. Widest filter first, then narrow. An empty result has one of three causes nearly every time, a year that is one off, a title in another language, or a series searched as a movie, and the search guide takes each in turn. The A-Z list shows the whole catalogue in one scroll, which settles "is it on here" in a minute.

Trending, latest and top rated: three shelves, three questions

Trending answers "what are people watching". It orders films and series by the attention they are getting right now, with a Movies tab and a TV Shows tab so one format never crowds out the other. This month the top of it is Reacher, Spider-Man: Brand New Day, Lioness, The Odyssey, MobLand and Lanterns, with The Mentalist and NCIS proving that a procedural from the 2000s can outdraw a new release when people are in the mood for a hundred episodes of something reliable.

Latest Movies answers "what is out". It is the catalogue's films by release date, newest first, and it moves every week as titles reach a service in HD. A release date is the production's first release, the cinema date, not the day a service added it, so a film sits near the top of this shelf for a month or two while the services pick it up; Project Hail Mary, Toy Story 5, Moana and Resident Evil are there now. Latest TV does the same for series, ordered by their most recently dated episode, which puts a returning show at the top the week its new season starts.

Top rated answers "what is good", and it is named for what people search. It ranks the catalogue by the TMDB audience score with at least five hundred votes behind every title, so a new release with forty enthusiastic votes cannot jump the queue. The scores on every card and page are TMDB audience ratings with their vote counts, and the page says so. The fourth shelf is the new episodes page, the most recently dated episodes across every series, newest first, and the ongoing shelf beside it gathers the forty-nine series still returning at the September 2026 update.

Reading a card, reading a page

Every card says four things: the poster, the title, the year, and for a series the number of seasons and dated episodes, with the HD label in the corner. That is enough to tell a remake from the original and a limited series from a long runner before opening anything. Open the card and the title page begins with the poster, the original title where it differs, and a row of chips: Movie or TV series, the year, Ongoing or Completed for a series, the runtime for a film, and the first three genres. Then the story, then the two buttons: Watch now and Add to My List.

Under the story the facts panel lists the original title, the release date or first air date, the original language, the country of production, the runtime or the number of seasons, the studio, the TMDB audience rating with its vote count, and the other names the title goes by, every one of them searchable. Below the facts, the cast and creators, and a You may also like row built from the genres and the era rather than from what is popular, so the row under a 2004 action film is other action films of its kind and not this week's chart.

The browse pages behind the menu work the same way. Genres lists every genre with its count and opens to a grid. Country, original language and year sit beside it, and every grid on the site has the quick links to filter search, genres, languages, years and the A-Z list along its top, so no page is a dead end.

TV shows, season by season

Television is organised the way people want it: series, then seasons, then episodes. Open a series and the page shows the story, the cast, the status, the number of seasons and dated episodes, and a row of season links. Each season page lists the episodes in order with the title, the air date and the running time, and a Reached this episode button on every row. Eighty-eight series are in the catalogue at the September 2026 update, 439 seasons between them and 7,073 episodes with a recorded air date, which is every episode that has aired.

The long runners are the reason the season pages exist. NCIS runs to five hundred and seven dated episodes across twenty-three seasons, Grey's Anatomy to four hundred and sixty, American Dad! past four hundred, Criminal Minds and CSI past three hundred, Supernatural, Modern Family, Bones, CSI: Miami and The Blacklist past two hundred. The long-running shelf gathers the series with 150 dated episodes or more, twenty of them, and the episode count on the card is the first thing to read there. The Reached this episode button turns each of them from a mountain into a checklist.

The complete series are the ones people restart: Breaking Bad, Game of Thrones, House, The Office, Castle, each with its whole run listed first episode to last. The current shelf is where most people live, Reacher, Silo, Slow Horses, From, The Pitt, The Gentlemen, House of the Dragon, Ted Lasso, each with its newest episode on the new episodes page the week it airs. The status line on a series page tells you which kind of commitment you are making: Returning means more is coming, Ended means the story is finished and you can watch it through, Cancelled means it stopped before it was finished, which is worth knowing before the first episode.

Reached this episode, and where you left off

Every row of every season table has a Reached this episode button. Press it when you finish an episode and 578Movie remembers the row: the button reads "Saved here", the season page highlights it the next time you open it, and My List shows "Your saved place: Season 12, Episode 7" under the series. Press a later row and the place moves. It is the simplest thing on the site and the thing people use most, because a procedural watched across a year on two devices is otherwise a series where you have seen the same episode twice.

The mark is yours and stays in the browser you set it in. To carry it to another device, open My List, press Export, send yourself the small file it makes, and press Import on the other device: the marks and the titles merge, and the later mark wins. Mark the episode you finished, not the one you are about to start; the place is a bookmark, and a bookmark goes at the end of the page you read. The episodes guide covers searching by episode, the new episodes page and how the air date relates to the service you open.

Franchises, in order

A franchise is the one place where a catalogue's ordering matters more than its size, and the site handles it plainly: every entry carries its year on the card, the You may also like row under each film points to the others, and the search returns the whole set when you type the name. Type "Harry Potter" and the Philosopher's Stone, the Chamber of Secrets and the Goblet of Fire line up by year; sort by newest and the order flips. Type "Lord of the Rings" and the Fellowship and the Return of the King sit two years apart with the year on each.

The fantasy worlds shelf gathers the invented worlds in one place, Middle-earth, Hogwarts, Westeros and the rest, and the superheroes shelf does the same for Marvel and DC, from the 2002 Spider-Man and Iron Man 2 through The Avengers, Infinity War and Endgame to this year's Spider-Man. The year on the card is what keeps the reboot and the original apart, and the release order is the sensible watch order for a first time through; if you choose another, make it a decision rather than letting an alphabetical list decide.

A rewatch in HD

Half of what people open on this site they have already seen, and the site is built for that too. A film from 2004 was usually finished at 2K, close to HD, and HD shows it beautifully: the grain of the film stock is there, the colours are the colours the cinema showed, and nothing has been sharpened into plastic by an upscale. The free ad-supported services carry most of the 2000s shelf and much of the 2010s, so a rewatch usually costs nothing, and the Watch now list on a twenty-year-old film in most countries is longer than the list on a new release.

Series are the better rewatch, because a season page is a checklist and Reached this episode is a bookmark. Start Breaking Bad from the pilot, mark each episode as you go, and the place survives a month away; start The Office at a favourite season instead, because the season links on the series page take you straight there. The You may also like row under any title is built from its genre and its era, which makes it a double-bill generator: under Inception it is the other puzzle films of its decade, under The Mentalist the other detectives who started around 2008. Two films connected by a director, a year or an idea are a better evening than twenty similar posters, and the row hands you the second one.

One habit makes rewatching on a television better: set the service's app to play the original audio with subtitles off, and choose the HD tier rather than 4K for anything older than 2015, because the HD stream is the real master and the 4K one is an upscale that costs more data for no more picture. The quality page explains the tiers; the year on the card tells you which one a title deserves.

The 2000s and 2010s

The 2000s shelf holds the titles that opened between 2000 and 2009, thirty of them at the September update, and it is the shelf people rewatch rather than discover: The Dark Knight, the first three Harry Potter films, the Lord of the Rings trilogy, Avatar, and on the television side the procedurals that started in that decade and are still running, NCIS, Grey's Anatomy, Criminal Minds, Supernatural, Bones, The Office, House, The Mentalist, CSI and CSI: Miami. Every one is in HD, and most are on more than one service in most countries, so Watch now usually offers a choice, often including a free one.

The 2010s shelf is the decade of the long series and the shared-universe blockbuster: Inception, Interstellar, The Dark Knight Rises, Mad Max: Fury Road, Blade Runner 2049, The Imitation Game, Inside Out, Despicable Me, and Game of Thrones, Breaking Bad, The Blacklist, The Flash, Shameless, Rick and Morty and Modern Family with every season listed. The years page is the other way in: pick a year and read across, which is how a lot of people remember what they meant to watch.

The Vietnamese shelf

The Vietnamese shelf holds twenty-eight films and series under their original titles with the English ones beside them, and it begins with 578: Magnum. The action films are the natural neighbours, Furie and Furies; the box-office dramas are here, Mai, Sister Sister 2, Rom; so are the festival films, Inside the Yellow Cocoon Shell, The Third Wife, Song Lang, The Housemaid; and the series, Devil's Diner, Hellbound Village, Tien Bromance, each with its episodes dated.

Vietnamese films travel unevenly, which is why the country menu matters more here than anywhere else on the site. A title on a global subscription in the United States may be on a local service in Vietnam and on a rental store alone in the United Kingdom, and the free ad-supported tiers carry a surprising number of them. Search by the English title or the Vietnamese one; the audio is Vietnamese with English subtitles on the global services, and the subtitles page explains where the dubs are when there are any.

Names, other names, and the right one

Two productions sharing a name is the commonest way to open the wrong page, and the site is built to make the right one obvious. Every card carries the year, and the year is the tiebreaker: the 2002 Spider-Man and this year's Brand New Day are two cards two decades apart, a remake and its original are two pages, and the line under the title, year and running time or season and episode, settles whether you are looking at the film or the series. The facts panel on every page lists the other names a title goes by, the Vietnamese title of a Vietnamese film, the working title of a franchise entry, the name a service used in another country, and every one of those names is searchable, so the page you land on is the same whichever name you typed.

Sequels need the same care. A franchise number tells you there is an earlier film, but release order and story order are not always the same; for a first time through, release order is the sensible choice, because it follows the way the films introduced their characters, and the year on each card gives it to you without a list. If a search returns two cards where you expected one, read the year and the chip before opening either. And if a title seems missing, the A-Z list ignores a leading "The" and sorts numbers first, so 578: Magnum sits at the top of the 0-9 page and The Mentalist under M.

Planning an evening, a week, a season

The runtime on a film card and the episode count on a series card are the two numbers to plan with. A film of ninety-five minutes fits a weeknight; one of a hundred and eighty is a weekend choice, and the action shelf and the fantasy shelf both run long. A series of ten episodes is a week; one of thirty is a month; one of five hundred is a companion for a year, and the long-running shelf is where those live. Read the number before you start and the commitment is never a surprise.

My List is the plan. Add the film for Friday, the series for the week and the release you are waiting to reach a service, and the list keeps them in the order you added them, with your saved place under each series. Before a trip, set your viewing country to where you are going, because the Watch now list changes with it: a series that is on one service at home may be on another abroad, and the free options differ. Then change it back. For a shared choice, reduce the shortlist to a few genuinely different possibilities, one from comedy, one from crime and mystery, one from the Vietnamese shelf nobody has tried, read the first line of each synopsis, agree on the mood, and save the other two for next time. The site works best when browsing leads to a decision.

Choosing a viewing country well

The viewing country is the single setting on the site, and it is the one that turns the Watch now list into your list. Choose the country you are in, not the country the film was made in: a Vietnamese film watched from Canada needs Canada's services, and a Hollywood series watched from India needs India's. The menu sits above the Watch now button on every title page, it holds sixteen countries, and once chosen it stays chosen on every page and every visit, stored with My List in the browser and carried in the export file when you move to another device.

Two habits make it work. The first is to check the menu when a list looks thin: a title on six services in the United States can be on two in Australia and on a rental store alone somewhere else that week, and the difference is the country, not the site. The second is to change it deliberately when you travel, and change it back, because a service that is licensed for a title at home may not be where you land, and the free tier that exists in one country may not exist in the next. Licences are sold country by country; the menu is how the site tells the truth about them.

Countries, languages and years

Three browse pages sit behind the menu for the visitor who wants a slice of the catalogue rather than a search. Country is the country of production, which is a different thing from the viewing country: it describes the title, not you, so the Vietnam page lists the Vietnamese films and the United Kingdom page lists the British series, whatever country you watch from. Original language does the same for the language the title was made in, English for two hundred titles and Vietnamese for twenty-eight at the September update, and it is the quickest way to the Vietnamese shelf from anywhere on the site.

Years lists every year in the catalogue with the number of titles beside it, and each year opens to its own grid. It is the browse page people underestimate: pick 2008 and read across, The Dark Knight, Breaking Bad's first season, The Mentalist's; pick 2019 and it is Endgame and the last season of Game of Thrones; pick this year and it is the New in 2026 shelf by another door. The search page's year filter does the same one year at a time, and sorting by newest turns any grid into a timeline.

Weekly or all at once: what the dates tell you

Series arrive in two rhythms, and the season pages show which one you are in. A network procedural, The Rookie, NCIS, Criminal Minds, airs one episode a week from autumn to spring, and its season page fills in a row at a time, each with its air date. A streaming drop, a new season of Silo or The Gentlemen, lists all its episodes with the same date, because they arrived together. Read the dates on a season page and you know whether to plan a night or a season.

The new episodes page follows the same dates, newest first, so a weekly series you follow appears there the week its episode airs and a full-season drop appears once. For a series that is still returning, the ongoing shelf keeps the rhythm: mark the episode you reached on Sunday night, open the page the following weekend, and the new one is at the top. Films have one date, the first release, and the Latest Movies shelf is ordered by it; the card is there so you can save the film to My List and be told, by the Watch now list, the week it arrives where you are.

My List

The button on every title page reads Add to My List, and the list opens from My List at the right of the header. It is where the films for the weekend go, the series you mean to start, and the release you are waiting to reach a service. Each card on the list shows the poster, the year, and for a series your saved place, and a Remove button. The list lives in your browser, private to you.

The list page carries Export and Import. Export writes a few kilobytes holding the titles and the episode marks; Import reads such a file and merges it with what is already there, so a list built on the phone can join the one on the tablet without either being overwritten, and it is the backup to take before clearing a browser's data. The viewing country travels with the list: choose it once on any title page and every Watch now button on the site keeps to it until you change it.

Watch now: choosing the country and the service

Watch now is the button under every title. Press it and the title opens on the services carrying it in the country you chose: the subscription services, the free ad-supported services marked as free, and the stores that rent or sell it, each with the price where there is one. Choose the service, and the title plays there in HD or 4K depending on the service and the screen, with the subtitles and audio tracks that service carries, on every device that service supports, with its own download button for offline viewing. 578Movie stays where you were, on the title page, ready for the next one.

Sixteen countries are covered: the United States, the United Kingdom, Canada, Australia, India, Pakistan, the Philippines, South Africa, the United Arab Emirates, Singapore, Germany, France, Spain, Italy, Brazil and New Zealand. The country matters more than anything else on the page. A film that is on six services in the United States can be on two in Australia and on a rental store alone in a third country that week, and a Vietnamese film can be free in one country and absent from another. Change the country from the menu above the button and the list changes with it; a title on no service where you are yet shows its options the week one picks it up, so a title saved to My List is worth checking back on.

Series move more than films, and later seasons sometimes arrive on a second service. Every season page has a Where to watch button that opens the series for your country, so a season missing on the service you expected is worth checking against the other services on the list before assuming it is gone. Every service on the Watch now list is a licensed one operating in the country you selected, which is what makes viewing legal wherever you are, and it is how the site pays its way: some services pay a referral fee when a visitor takes a subscription or a rental, at the service's normal price. The safe and legal page has both answers in full.

Free, and what free means

Everything on the site is free: search, the shelves, every title and season page, My List and the app, with no account and nothing between you and any page. When you press Watch now, the list for your country includes the free ad-supported services, marked as free, alongside the subscriptions and rentals. Where the free options are is predictable: the free services carry most of the 2000s and 2010s shelves, the long procedurals season by season, and a surprising share of the Vietnamese films. The newest Hollywood releases arrive on free services last, so for a film on the Latest Movies shelf the rental is usually the only option for a while. The free movies page goes through it shelf by shelf.

The HD label, 1080p and 4K

Every card carries the HD label, and it means two things: the title exists in a proper high-definition release, and the services Watch now lists carry it that way. No cinema recordings, ever; a film that opened last week arrives here when it reaches a service in HD, which is the right moment to watch it anyway. 720p and 1080p are both high definition; 1080p is the full frame, and the difference shows on a television and disappears on a phone.

Which tier you see depends on the title and the screen, and the year on the card is the quickest guide. Titles from the 2020s were finished at or near 4K and play there on a 4K television with the plan that includes it, often with HDR, which is usually the more visible upgrade. A film from 2004 was usually finished at 2K, and its 4K stream comes from a fresh scan of the film or an upscale; the 2000s shelf looks superb in HD. HD needs roughly five megabits a second and 4K twenty-five; on a data plan HD uses one to three gigabytes an hour and 4K six to eight. The quality page has the numbers in one place.

Subtitles and dubs

Every title page states the original language up front, and every list can be filtered by it on the languages page. The subtitle and dub tracks belong to the service you watch on, per country and often per season, which is why the title page tells you the original language and leaves the track list to the player. A Vietnamese film on a global service carries Vietnamese audio with English subtitles and sometimes an English dub; a Hollywood film on a service outside the United States usually carries the local dub and subtitles beside the English track. Press Watch now, open the service, and the audio menu names the tracks by language; the title page here tells you the original one, so you know which is which. The subtitles page covers the rest, dual audio included.

Phone, television, app

The site is the same on every screen, laid out for a phone first: two posters across, the menu and the search in the drawer behind the ≡ button, the season tables full width, and the country menu and Watch now under the title's details. The 578Movie app is the site installed to the home screen: in Chrome on Android choose Add to Home screen, in Safari on iPhone and iPad tap share and choose Add to Home Screen, and it installs in two taps with the amber icon, opens full-screen with your list, your country and your episode marks inside it, and updates itself every time you open it.

On a television, any browser opens the site, Android TV, Google TV, Fire TV's Silk and most smart TVs; bookmark the address, search with the remote or the voice button, and Watch now opens the title in the service's TV app when it is installed. The quicker route is casting: open the title on your phone, press Watch now, choose the service, and cast from the service's app; the phone becomes the remote and My List stays open in your hand. Chromecast, Apple TV and AirPlay work the same way, and both consoles run the services as apps. The television guide walks through each device.

Downloads

The download lives inside the service you open with Watch now. Most services download films and whole seasons to a phone or tablet in HD, with the tracks you chose, and keep them for weeks; an HD film is one to three gigabytes and a season of a procedural ten to twenty, so download over Wi-Fi the night before. The downloads page covers space, tracks and keeping My List offline.

The address to keep

This is 578Movie's address, and it does not move. Earlier sites carried the name on other suffixes, each a snapshot of the idea, and each is still searched by the people who used it; everything they offered is here, with more behind it. Save the address to the home screen and the question of which one is current never comes up again. The address page explains mirrors and proxies, and how to recognise the real site: the amber 578 block beside the white MOVIE wordmark, a search that opens a title page with a synopsis, a cast, seasons and a Watch now button listing services by country, and no registration, no download button pointing at a file, no page asking for a card.

When it will not load

Five causes, five one-minute fixes. The address will not load: switch the phone between Wi-Fi and data, because a filtering network is the usual cause, and wait a few minutes if it loads on neither. The page has no charcoal background: the stylesheet did not arrive; reload once, then clear the site's data if it persists. Search stuck at "Loading results": scripts are blocked; allow them for this site. Watch now shows nothing for your country: change the country menu, or check back next week. The video stutters: that is the service's player; close other tabs, drop the quality a step, reload the player, restart the TV app. The not working page goes through every case, including the one where My List seems to have vanished, which is a cleared browser or a private window, and which Export and Import prevent.

Alternatives, and why the search exists

"Sites like 578movie" is searched whenever a copy on another suffix goes dark, and the honest answer is that you are on the site the copies were copying. Four things decide whether a movie site is worth keeping: how deep the catalogue goes, how fast search finds a title, whether series are organised by season and episode, and whether it works on a phone. Those are the four things this site is built around, and the alternatives page takes each in turn. For a title you will watch three times, the service you already pay for is the right place, and the Watch now list names exactly those services, which is a more useful alternative than another clone.

Ratings, votes and Top rated

The score on every card and page is the TMDB audience rating, shown with its vote count, and the vote count is the part to read. A score of 8.4 from forty thousand votes is a settled verdict; a score of 8.4 from sixty votes is a first week's enthusiasm, and it will drift. That is why Top rated requires at least five hundred votes behind a title before it can appear, and the top rated series shelf the same. The page is named Top IMDb because that is what people search; the score is TMDB's, and the page says so. The minimum-rating filter on the search page uses a floor of fifty votes; combine it with a genre and a decade and the result is a short list worth reading in full, and sorting by popularity instead of rating gives a different list that is often the more useful one for a Friday.

The genre shelves, and what each is good for

The genre pages list every genre attached to the catalogue, and most titles carry more than one, so a comedy search finds the action comedies too. The collections are the curated version. New in 2026 holds this year's films and series, from Spider-Man: Brand New Day and The Odyssey to Mutiny. Action and adventure is the largest shelf, Hollywood and Vietnamese alike. Crime and mystery holds the procedurals that run for twenty seasons; read the first line of the synopsis there, not the last. Horror and thriller is the shelf to check the runtime on, because the best of these are short.

Sci-fi and fantasy holds space, time travel, dragons and dystopias, the titles that most reward a 4K screen. Drama is the widest genre, from prestige series to family sagas. Comedy is the easiest thing to fit into a weeknight, twenty minutes at a time; Rick and Morty, American Dad!, Shameless and Ted Lasso live there. Animation and family holds Pixar, Disney, DreamWorks and the adult animation, with the age guidance on the service you open. And the top rated series shelf is the television end of Top rated, 8.3 and above from five hundred voters, where Breaking Bad, Game of Thrones and The Pitt sit near the top.

Questions